Reverberaciones por convolución aplicadas en un audiovisual musical experimental

Abstract

This project dives into the potential of convolution reverb as a tool to overcome the logistical and financial limitations of recording classical music in real spaces. Through the creation of an experimental music video, the acoustic and aesthetic characteristics of impulse responses (IRs) obtained from four notable locations on the Gustavo Galindo Campus are compared. The study demonstrates that each space possesses a unique sonic identity that enriches musical performance in a distinct way, from the enhancement of key frequencies for vocal projection, like in the library, to the natural attenuation in open areas like a forest. The results show that convolution reverb is not only a post-production technique but also a narrative and expressive resource that allows emerging musicians to recreate authentic environments while contributing to the preservation of a place's acoustic heritage. Keywords: convolution reverb, impulse response, classical music, sound design, experimental music video, acoustics, acoustic heritage.