Fe, Esperanza y Amor: Narrativa audiovisual como herramienta de reflexión y análisis de las crisis afectivas

Abstract

This degree project, developed under the research-creation modality, explores the efficacy of audiovisual narratives as tools for reflection and analysis of affective crises in contemporary couples. In a media context marked by digital acceleration and the superficial representation of conflict, the project "Faith, Hope, and Love" proposes an aesthetic approach that integrates faith and spiritual resilience with the cinematic language of post-production. The methodology adopts a mixed design with qualitative predominance, structured in four phases that transform filming into visual ethnography and post-production into an emotional laboratory. Theoretically, the work is grounded in the "poetics of the incomplete" and "postproduction cinema," utilizing intellectual montage and audiovisual synesthesia to replicate the fragmentary experience of traumatic memory. The main result is the creation of a short film and a cinematic trailer; the latter functions not only as a promotional piece but as a qualitative measurement instrument designed to evaluate the emotional response of "algorithmic publics" in digital environments. The research concludes that the audiovisual work acts as an "emotional artifact" capable of generating spaces of collective validation for private pain, promoting affective media literacy. Keywords: Research-creation, affective crises, audiovisual narrative, post-production cinema, algorithmic publics, emotional literacy.